1528-1588 Paolo Veronese Galleries Italian painter and draughtsman. With Titian and Tintoretto he makes up the triumvirate of great painters of the late Renaissance in Venice. He is known as a supreme colourist and for his illusionistic decorations in both fresco and oil. His large paintings of biblical feasts executed for the refectories of monasteries in Venice and Verona are especially celebrated. He also produced many altarpieces, history and mythological paintings and portraits. His compositional sketches in pen, ink and wash, figure studies in chalk, and chiaroscuro modelli and ricordi form a significant body of drawings. He headed a family workshop that remained active after his death.  Related Paintings of Paolo Veronese :. | adoration of the magi | time and fame | Detail of the wife of Zebedee Interceding with Christ ove her sons | The Finding of Moses-y | arithmetic, harmony and philosophy |
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Antonie Waldorp
(The Hague, 28 March, 1803 - Amsterdam, 12 October, 1866) was a Dutch painter and a forerunner of the Hague School. Anthonie Waldorp was the son of Abel de Saaijer Waldorp and Jacomina Godde, and the grandson of Jan Gerard Waldor, who was superintendent of the National Art Gallery. On February 25, 1824 he married Johanna Sophia Waldorp van Hove. At the wedding in The Hague there was a clerical error in the marital attachments, mistakenly registering Anthonie as Anthonie Waldorp instead of Saaijer Waldorp. Shortly after his 23rd birthday, Anthonie decides to follow a career as a painter and became one of the precursors of the Hague School. Anthonie took an apprenticeship with the well known stage scenery painter Joannes Breckenheimer jr. (1772-1856) in The Hague, who was also the tutor of the well known painter Andreas Schelfhout. Anthonie started painting stage sceneries like his grandfather. Later he focused on domestic and church interiors and portraits (people in 17th century costumes). Finally he specialized in landscapes, river and seascapes (paintings, drawings and water colors). It proved to be a wise decision as it led to international recognition. He also did some lithographic work. In 1833, together with Wijnand Nuyen, he traveled through France, Belgium and Germany and became the tutor of C.P. et Hoen, J.C. Hofman, C. Rochussen and Johan Hendrik Weissenbruch. Many of his paintings were bought by German, Dutch and French kings. Until 1857 he lived in The Hague, after which he settled in Amsterdam where he joined the Royal Academy . He received several awards: in 1845 Waldorp was appointed Knight of the Order of Leopold by the Belgian king, Knight in the Order of the Dutch Lion in 1847 by King William II and Knight in the Order of the Oak Crown in 1849 by William. In The Hague and Amsterdam there are streets named after Anthonie Waldorp.
ALLORI Alessandro
Italian Mannerist Painter, 1535-1607 Born in Florence. After the death of his father in 1540 he was brought up and trained in art by a close friend, often referred to as his 'uncle', the mannerist painter Agnolo Bronzino, whose name he sometimes assumed in his pictures. In some ways, Allori is the last of the line of prominent Florentine painters, of generally undiluted Tuscan artistic heritage: Andrea del Sarto worked with Fra Bartolomeo (as well as Leonardo Da Vinci), Pontormo briefly worked under Andrea, and trained Bronzino, who trained Allori. Subsequent generations in the city would be strongly influenced by the tide of Baroque styles pre-eminent in other parts of Italy. Freedburg derides Allori as derivative, claiming he illustrates "the ideal of Maniera by which art (and style) are generated out of pre-existing art." The polish of figures has an unnatural marble-like form as if he aimed for cold statuary. It can be said of late phase mannerist painting in Florence, that the city that had early breathed life into statuary with the works of masters like Donatello and Michelangelo, was still so awed by them that it petrified the poses of figures in painting. While by 1600 the Baroque elsewhere was beginning to give life to painted figures, Florence was painting two-dimensional statues. Furthermore, in general, with the exception of the Contra Maniera artists, it dared not stray from high themes or stray into high emotion.
William Page
1811-1885 William Page studied at Phillips Academy, Andover in 1828-29 (not the Andover Theological Seminary on the same campus, as is commonly asserted). A man of mercurial temperament, Page was lacking in religious belief in youth, but later became a Swedenborgian. He received his training in art from Samuel F. B. Morse (a Phillips Academy graduate) at the National Academy of Design, and in 1836 he became a National Academician. In the 1830s and 40s, Page was based in New York, achieving renown there as a portraitist. Living in Rome from 1849 to 1860, he befriended Robert and Elizabeth Browning, whose portraits he painted. He was also a friend of William Wetmore Story and of James Russell Lowell, who dedicated his first collection of poems to him in 1843. In 1873, Page became president of the National Academy of Design. His work includes a painting of Admiral David Farragut at the Battle of Mobile Bay, the Holy Family (now at the Boston Athenaeum) and The Young Merchants (now at Pennsylvania Academy of the Fine Arts in Philadelphia), as well as countless portraits, including portraits of John Quincy Adams, James Russell Lowell and William Shakespeare, based on the Becker death mask. He also wrote A New Geometrical Method of Measuring the Human Figure (1860). He died in 1885, aged 74 on Staten Island. Although extravagantly praised as an artist from the 1830s into the 1860s, Page's reputation suffered in later life because he changed his style so frequently and, more particularly, because technical characteristics of his painting method soon caused much of his work to darken excessively.